4.373 file audio bebas royalti untuk "Modular Synth"

A meaningless loop made, recorded and uploaded. . .

Nlc jerkoff sweet spot. I'm just listening.

Another patch. Almost melodic. . .

Multiple atonal melodies with different length.

Strange modular bass loop. The file is loopable. Main modules is intellijel μvcf, uoki-toki polivoks vcf, synthrotek dirt and dinsync modseq. Thanks for dropping by.

Using a frozen wasteland quantussy module.

The sequence is not stable. I'm not touching the synth. Te electronics are making variations. Not what i thought but interesting. Sequencing in my usual way with a vclfo. My plan was to upload a short loop, but the variations was so interesting. . . .

This is nlc jerkoff. A chaos module. Doing. . . Chaos.

Dirty fmaj7 cycling envelope variations. 2nd inversion. Lazy chord patch.

Rumble made with wave rectifier, vactrolfilter etc. . . But a full spectrum rumble!.

A fun patch. Notice the connection between speed and tone.

Working with my spring reverb.

Intended to do some sort of tape echo, but. . .

This is nlc sloth. A chaos module. Doing. . . Chaos. Fade in and out. . .

The drone has a form of pattern repeating every 2 minutes. But other thing are vaguely linked to this pattern. The heart of this patch is intellijel quadra + expansion. I'm using 3 oscillators and noise. I add some character to the sound with a driver pedal (boss bd-2).

Just had to make another stereo patch. Feels nice to be back in stereo. Need more patch cables. . .

. . . But i recorded this. I recorded the sound to celebrate my first stereo patch. Yep, now i have squeezed in three mixers and will be able to make stereo effects on my modular.

Small patch painting in sound chaos, random and music of the krells.

Trying to create a not totally correct entropical paradise patch in vcv-rack.

Sound i use in disquiet junto project 0544: feedback loopthe assignment: share music-in-progress for input from others.

Patching up a burst-patch. There are x ways to do that. This is is the results of one.

A fairly simple patch in vcv-rack. Reuse/feedback of cv makes the patch change in a nice way.

Yeah! now i have got a vc switch! the jerk off is back in the rack!i have missed you.

Entropical bla bla bla. . . Read in 211. Here i'm using just one (1) sequencer :tu:.

Vcv-rack patch5 vclfos in a ring gives you a lot of interrelated cv. Classic. Instead of vclfos you can use looping envelopes.

Beat and timbres remix of balloonheads "welcome to the mancave"https://freesound. Org/people/timbre/sounds/445097/https://freesound. Org/people/balloonhead/sounds/444988/.

This is one of 17 recordings made with the same patch. Same tempo, same scale, different outcome. I made this recordings for disquiet junto project 0377: algorithms assemble.

A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.

Strange beat. Recorded dry. No reverb. Why? answer i have sold my digital reverb. The one i had in my case. It's finally time for a spring reverb!!!gis_sweden goes fully analog! as long as i dont record with my computer. . .

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

I let both the vco (intellijel μvcf) and the uoki-toki polivoks vcf play a little melody, the same. The vcf is in self-oscillation and cv1 at 100%. It does not track perfectly, but could be useful.

Ambient music shaped by two sloth lfosmuch reverb! very much. . . . Oh yes, some "ambient noise" toolets call this patch "instant generative ambient patch"one sloth generates triggers. One controls pitch cv. Noise through filter controlled by 2lfosh. And loads of reverb.

Using an lfo, mixer, exp vca, envelope generator, cycling envelope generator and spring reverb to create strange sounds. Evaluation of patch/soundone cycle is about 28 sec - cycles. . . Dont knowonly short sounds - goodamplitude variation - goodpitch variation - mediumtimbre variation - mediummusical value - low to mediumentertaining - medium?.

Test of how uoki-toki polivoks vcf handles sin-wave. I tune the module i use as sin-oscillator (intellijel μvcf) to ca 270hz. I connect it to uoki-toki polivoks vcf. I let a sin lfo sweep the filter, cv1 pot at ca 70%.

I'm getting to know a comparator. Why haven't i used it before?extremely electronic. Yes!the comparator i'm using is bastl instruments tromsø. With the comparator i'm making the bass tone that vary in length. What! are you not amused and impressed??? in this patchi'm sending the comparator a saw-wave.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 100%. Hmmm interesting. . . .

Don’t know if my english is correct. . . Butt i guess you get it, dear reader. Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 70%. What happens. . .

In this patch i use bastl instruments tromsø as comparator, sample and hold and oscillator (3 in 1). The cv is coming from nonlinearcircuits jerk off. The audio out from tromsø goes through nonlinearcircuits timbre!. Some delay from an analog delay pedal and reverb from doepfer spring reverb. One voice exploring a chaotic cv source. I sold one of my tromsøs a while ago. Will i regret that? psssst take a closer look at the wave form! the wave folder is doing its work!.

1 looping envelope and 2 vclfos in a dance. I think its harder for this combination to find a nice pattern - equilibrium. It happens sometimes. Maybe the mixture between positive and negative cv confuses the modules. Makes it harder. I start the recording with the looping envelope in non looping mode. After about 19 sec i switch to looping-mode. Records and hope that a pattern should emerge. This time there is a pattern. Yay! not 100% stable but that's perfect!okay, it is harder to recognize patterns when a sequencer is involved.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. The vco is also tuned to 270hz. In this test i connect the same lfo to cv1 on the vcf and 1v/oct on the module i use as vco (intellijel μvcf). I let the lfo run. Cv1 on vcf pot at 100%. They are playing together. The vco is connected to the in on the vcf. Confused explanation. . . But at least not in swedish.

This loop has a title: obtain. Made on an analog modular synth.

Sounds made with analog modular synth.

Testing my modular synth after downsizing. Works well.

A noiseful patch i had on my 6u modular synth. Reverb and pan fx from zoom ms-70cdr.

Modular experiment.

Patch on a large modular analog synth, mainly doepfer but with some sputnik and intellijel modules. Sounds very arp 2600-ish, a soundcape reminiscent of birdsong and tweets. Mainly tuned filters seeded with pink noise.

About 30 seconds of something slow. Vcv rack v1. 1. 6 - patch:rich3.

Another beat. . . Made with my modular synth. But a beat is a beat. . . Or something. . .

Bass with variations made on modular synth. The original wave is a sin-wave. . . I think number six i my favorite. Number ten is quite funky too.

Ducking with modular synth. Or lets call it audio puzzle. If you dl the file you see what i mean.